Photo courtesy of WWE.com

Off the Top Rope: WWE's Very Bad Week, the Wednesday Night War and More

Jonathan Snowden

WWE has spent most of the year building Seth Rollins as its top babyface star, centering the promotion around him and establishing the former Shield member as a capable wrestler.

No opponent is too formidable for Rollins—he has even beaten the all-but-unstoppable Brock Lesnar twice, a seemingly impossible task.

Across the ring from him at Sunday's Hell in the Cell was The Fiend, a horror movie-style villain expertly unleashed on the WWE Universe through a series of incredibly entertaining vignettes, videos so compelling that fans were willing to overlook two failed gimmicks and give Bray Wyatt the benefit of the doubt.

In theory, a top babyface and a hot heel, placed in a deadly structure like the Hell in a Cell, should be a guaranteed success with the fans. Instead, the crowd at the pay-per-view absolutely rejected the bout and its finish: booing the finish, asking for a refund and chanting for the rival All Elite Wrestling promotion.

It was, in short, a disaster.

So, how did it go so terribly wrong? Personally, I think there are multiple factors driving the disgust. Any one of which might not have been enough to create this reaction. Together, it was too much for the audience to stomach.

1. The wrong guy won. Worse than that, the wrong guy has the belt and has been gifted the push of a lifetime. 

The crowd was booing Rollins from the first bell. They just do not accept him as the champion. You can't book a wrestler as a sympathetic babyface, expecting fans to urge him onward in the face of impossible odds, unless the audience has clearly bought into the performer in a big way. 

That hasn't happened with Rollins.

Despite the audience response, the writers clearly picture Rollins, the king of perseverance, as the protagonist of this story. The conflicted, violent Fiend is the villain, a mere obstacle in the hero's road to immortality. But the audience feels differently. Much as the fans don't accept Rollins as a champion, they have also rejected him as the hero of this tale.

2. Fans expect carnage in a Hell in the Cell match. They do not expect that too much punishment will result in a ref stoppage. The entire concept of the match is contained and sustained violence. 

Besides, the level of violence didn't really escalate beyond the norm for this style of bout. That made this ending wholly unexpected, unsatisfying and a betrayal of the very idea of HIAC. To paraphrase my favorite tweet of the night: "Mick Foley didn't almost die for THIS."

3. Even if you buy that Rollins delivered an unacceptable level of violence—the wrong guy was guilty of the excessive carnage. The audience may have been satisfied with a similar ending if the roles were reversed and The Fiend had doled out extreme punishment to the universal champion.

4. Finally, I think fans rightly felt disrespected and manipulated. They were told the violence had gone too far, yet wrestling followers can remember far worse things happening inside the cell over the years. If the match must be stopped for excessive violence, then you better make it with some violence in excess of all the other HIAC matches through the years.

Otherwise, the fans are gonna call you on your nonsense. 

The Wednesday Night Wars: AEW vs. NXT, Night 2

Graphic by Jonathan Snowden

For the second week in a row, All Elite Wrestling and NXT brought formidable events to the front line of the new wrestling war. And, for a second consecutive week, the upstarts at AEW walked away victorious.

While both shows were fun to watch, the crowd energy and enthusiasm helped AEW reach heights NXT just can't match.

While there's something cool about the studio-style aesthetic NXT has cultivated, it makes the show feel less important and exciting than the wrestling offered down the dial on TNT. 

      

AEW Dynamite

Hits:

Misses:

NXT

Hits:

Misses:

Match of the Week: Becky Lynch vs. Sasha Banks (Hell in a Cell)

WWE closed Hell in a Cell Sunday night with one of the most widely panned matches in modern wrestling history. And that's too bad—because it opened with one of the best bouts of the year.

The first Hell in the Cell match was between Undertaker and Shawn Michaels in 1997. The next was Mankind's tour de force that included not one, but two of the most insane bumps the WWE Universe has ever seen. Over the years, the concept has been watered down from its early gruesome glory. 

Becky Lynch and Sasha Banks took a step back in the right direction.

No, Lynch didn't run a razor blade across her forehead in an attempt at immortality. And, no, there wasn't a wild swan dive off the top of the cage. But working with the confines of a contemporary, family friendly wrestling show, the two women delivered the goods. 

Lynch and Banks constructed a remarkable, innovative and consistently brutal match. There was copious violence, highlighted by The Man's running dropkick off the apron, nailing her rival who she had carefully placed on a chair stacked atop several Singapore Canes. It was a spot so intricate that the previous statement likely makes no sense without a visual reference—a good sign that the creativity was next-level. 

The finish was perfect for a cluster of a match like this, Lynch suplexing Banks onto a pile of chairs tossed into the ring ECW style. It worked perfectly, a bout and crowd both seemingly transported from a Philadelphia Bingo Hall in 1996. 

For a hardcore match, I can think of few better compliments.

Runner Up: Young Bucks vs. Private Party (AEW Dynamite, 10/9)

Hard Times Promo of the Week: The Rock Lays the SmackDown on Fox

It's been 20 years since WWE SmackDown debuted, its very name an indication of just how transcendent The Rock was in the world of professional wrestling.

His star eventually shined too bright and hot for the insular, niche world we all love so much. As great as he was, Dwayne Johnson was born for bigger things, his effervescent personality and incomparable charisma too much for our sport to contain.

And so, begrudgingly, we shared him with the wider world. But SmackDown continued on. 

The Rock, of course, is always welcome back home. What better time than Friday night and what better place the live on Fox?

His promo, standing side by side with Becky Lynch and brutalizing poor Baron Corbin, was vintage Rock. He swung and missed trying to get an "STD" chant over but scored big calling the latest King of the Ring a "Burger King on crack."

That's part of the secret the greats don't always share: You're going to bomb in this business, even if you're The Rock.

If handled with good humor and grace, you can move on from failure on the microphone easily, leaving the stench of it behind by moving back to the comfortable and familiar.

The Rock always has—and that's why millions (and millions) of his fans sing along with Brahma Bull, why we know about his taste in pie and why it doesn't matter what we think about what he's cooking.

The Rock is a true legend in a sport that uses that word awfully cavalierly. His presence in a WWE ring doesn't distract from current stars. Instead, it raises everyone up. Lynch is better for sharing the spotlight with him. So is Baron Corbin.

That's the power of The Rock. May he continue laying the smackdown on all our candy asses for years to come. 

This Week in Wrestling

A lot goes down every week in the wacky world of wrestling. Here are a few of the highlights from a particularly busy seven days.

Smackdown

Hell in the Cell WWE Raw Other

Three-Count: Looking Ahead

Photo courtesy of New Japan World

New Japan Pro-Wrestling: King of Pro-Wrestling (October 14, New Japan World)

   

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